From Robert, in the previous comments section:

-I've been wondering, is there any significance to what you refer to your characters and when? I've noticed you seem to call Hari "Caine" when you're referring to his Overworld exploits and Caine "Hari when referring to his life on Earth. Also that when you referred to Kris as "Deliann" a few posts back it was specifically when referencing a point in the story when he and Caine were on Overworld. I've seen authors who stick to a specific system with referring to their characters; Dennis O'Neil stands out as he would always refer to the DC Comics character The Question as "Charlie" even though most of the world knew him as "Vic Sage". Is this choice in reference an intended separation that goes along with your "Theory of Personality", or if it's just instinctual on your part?

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Instinctual, I guess: I use Caine for the character, Hari for the Actor . . . even though he's achieved significant integration by the end of BLADE. Same with Kris and Deliann. One of the things I hope people will find interesting in CAINE BLACK KNIFE is the contrasts--and similarities--Caine Back Then and Caine Nowadays.

btw, I loved the Question. He had just returned in his own monthly series maybe a year or so before I quit collecting comics, back in the late 80s/early 90s. He was the coolest . . . and not just because he was the original model for Rorschach, either.

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-Something I've wondered for a while: If authors try to implant concepts and ideas into their books and what people get from said writing is a product of their own imagination meeting the words on the page, doesn't that create a sort of paradox within the process? Just something that struck me when reading your comments (not that I disagree with them, just an idea that hit me).

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I don't try to implant concepts and ideas; that way lies madness and all manner of Goodkinditude. I try to use the underlying concepts of a story in an interesting way, that's all--to let them inform and enhance the action. Scott Lynch, in a love-letter to HEROES DIE he once posted on RPG.net, described it as "opt-in fiction." He was attracted, he said, by the way the Big Ideas are there, but you don't have to think about them if you don't want to. This is a model I've tried to stick to ever since (that whole Tyranny of Praise thing, y'know?), with varying success (worked out pretty well in SHATTERPOINT and REVENGE OF THE SITH, less so in TRAITOR and BLADE OF TYSHALLE, where the ideas sometimes intrude and hijack the story).

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-And finally, are there any plans for you to be doing another book signing tour for either Caine Black Knife or your next Star Wars book?

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Not currently. I'll let you know.